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      <image:caption>‘Parastou Forouhar: Materialising Pain and Beauty’, in Art, Borders and Belonging, ed. by Marsha Meskimmon and Maria Photiou (London: Bloomsbury, 2021)</image:caption>
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      <image:caption>‘Parastou Forouhar: Materialising Pain and Beauty’, in Art, Borders and Belonging, ed. by Marsha Meskimmon and Maria Photiou (London: Bloomsbury, 2021)</image:caption>
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      <image:caption>Article for Textile: Journal of Cloth and Culture (Aug 2019) Click on link for full access: https://www.tandfonline.com/eprint/MRQZGVIPMFXCDZDIRB4F/full?target=10.1080/14759756.2019.1639420 Citation: Lydia Wooldridge (2019): Materializing Migration: Weaving the Mashrabiya in Nevin Aladağ’s ScreensI–III (2016), TEXTILE, DOI: 10.1080/14759756.2019.1639420 Image courtesy of Nevin Aladağ</image:caption>
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      <image:caption>Lydia Wooldridge: ‘Parastou Forouhar: Materialising Pain and Beauty’, in Art, Borders and Belonging, ed. by Marsha Meskimmon and Maria Photiou (London: Bloomsbury, 2020). https://www.bloomsbury.com/uk/art-borders-and-belonging-9781350203082/ Image courtesy of Parastou Forouhar</image:caption>
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